The second half of the beloved musical revision of The Wizard of Oz finally comes to cinemas, showing how one outcast girl became Dorothy’s mortal enemy.

Once an upstanding student, Elphaba has declared war on Oz’s ruling powers to save its animal citizens, remaking herself into a feared and isolated rebel. As her best friend Glinda, becomes a beloved but compromised Good Witch, a confrontation seems inevitable.

Split into two to do the story full justice, director Jon M. Chu and co. sustain all the spectacular fantasy visuals, heartfelt performances, and showstopping music that made both the show and first film smash hits. Everyone’s love for the material shines even 22 years after its premiere – and with this, it should endure for some time yet.

Grab your candy canes and hold onto your gumdrops - we’re heading through the seven levels of the Candy Cane Forest, past the sea of twirly-swirly gumdrops, and straight through the Lincoln Tunnel!

Everyone’s favourite Christmas elf, Buddy, is bouncing back onto the big screen for some Elf-tastic festive fun!

Starring Will Ferrell as Buddy - a human raised by Santa’s elves - this Christmas classic follows our oversized, overexcited hero as he leaves the North Pole and heads to New York City (in full elf gear, of course!) to find his real dad. Along the way, Buddy spreads cheer, chaos, and Christmas spirit to everyone he meets - one candy-coated smile at a time.

So don’t be a cotton-headed ninny muggins! Head to The Odyssey for a jolly dose of Christmas magic and discover your inner elf

Few festive treats are as irresistibly sweet as Richard Curtis’s glittering cinematic selection box, better known as Love Actually.

Across ten loosely intertwined tales, this cinematic embrace explores love in its many guises - from office flirtations, to the fierce bond between parent and child, fleeting holiday passions, and the comforting loyalty of long-time friends, all with a stella cast!

Set against a London so beautifully captured it feels like a character in its own right, Curtis’s debut as director unfolds over the five weeks leading up to Christmas. Yet, like the season itself, it’s not all twinkling lights and warm fires - moments of heartache cut through the joy, adding depth and contrast to the glow. A Christmas staple, equal parts joy and melancholy.

Ten years after famed magician troupe The Four Horsemen vanished from public life, they emerge from the shadows with three new recruits to steal a large South African diamond.

Magicians undertaking high-stakes heists proves to be a durable and highly entertaining concept, as the third entry in the Now You See Me series hits the big screen! This time, the Horsemen must emerge from retirement after a trio of rookie magicians stage a fake magic show impersonating them. This leads the whole group, rookies and masters, to be recruited to seal the Heart Diamond, the largest in the world. Join Jesse Eisenberg, Woody Harrelson, Dave Franco and Isla Fisher as they aim for Feathers McGraw’s crown in this sleek, high-stakes heist thriller.

When a bustling city of mammals is thrown into chaos as a mysterious reptile slithers into town and leaves puzzling clues at every turn. But have no fear, the perfect the team are on the case.

Follow Judy Hopps and Nick Wilde trail through glittering skyscrapers, hidden alleys, and unexpected corners of the city, piecing together clues, solving twists, and racing against time. With clever surprises, daring escapades, and unforgettable characters around every corner, Zootropolis 2 turns a day at the cinema into an adventure the whole family can share. Get ready to think like a detective, cheer for your favourite heroes, and become part of the action!

Directed and choreographed by Gene Kelly and Stanley Donen, Singin’ in the Rain stars Kelly, Donald O’Connor, and Debbie Reynolds in one of Hollywood’s most beloved musicals.

Set against the dazzling backdrop of 1927 Hollywood, the film celebrates the transition from silent movies to talkies with humour, charm, and unforgettable performances. While the story includes silent film star Don Lockwood and his glamorous co-star Lina Lamont, it is the music, dance, and sheer joy that make this film timeless.

Featuring the iconic number “Singin’ in the Rain,” with lyrics by Arthur Freed and music by Nacio Herb Brown, Gene Kelly’s exuberant dance through puddles remains one of cinema’s most enduring images.

So, grab your umbrella, sit back, and enjoy a sparkling musical overflowing with song, laughter, and classic Hollywood magic.

To celebrate New Year’s Eve 2025, we’re delighted to bring you all – The Commitments.

From acclaimed director Alan Parker, comes the award-winning film that took the world by storm. Jimmy Rabbitte knows he's the world's greatest band manager.... now he just needs a band.

Auditioning everyone he can find, Jimmy gathers ten of the most talented, least experienced musicians from the streets of working-class Dublin with a plan to launch the greatest Irish Soul band in the world. It's a joyful mixture of great characters, super dialogue and wonderful music, foul-mouthed, fast-talking and very funny, with a soundtrack from soul paradise.

One of the greatest films in the last 50 years, Ladies and Gentlemen, please put your working class hands together for the saviours of soul.

Before the Nuremberg trials, a psychiatrist evaluates Nazi leaders to determine whether they are fit to stand trial.

There have been many films about the infamous trials (not least Stanley Kramer’s Judgement at Nuremberg), which examined the countless crimes against humanity conducted by the Nazis. James Vanderbilt’s film approaches the subject from a psychoanalytical perspective. Is evil innate, or merely instructed?

As Douglas Kelley (portrayed with reliable precision by Rami Malek) interviews Hitler’s right hand man, Hermann Göring (Russell Crowe), they engage in a battle of wits. Increasingly obsessed with understanding how any human could knowingly participate in the Nazis’ atrocities, the psychiatrist and former Luftwaffe commander develop a disturbing bond.

Spanning three decades, Merrily We Roll Along charts the turbulent relationship between composer Franklin Shepard and his two lifelong friends — writer Mary and lyricist & playwright Charley.

Originally produced on Broadway in 1981, it then became an inventive cult-classic, ahead of its time. The musical features some of Stephen Sondheim’s most celebrated and personal songs. The 2023-2024 Broadway production, directed by Maria Friedman, redefined the show for a new era, bringing Sondheim’s intricate score and George Furth’s book to vivid life with extraordinary depth and clarity.

At its core, this is a universal story about friendship: how it changes, how it lasts, and how it shapes who we become. This isn’t just a stage production captured on film — it’s something more intimate. The camera lets us see every flicker of feeling, every quiet shift, in a way that brings audiences closer than ever. Don’t miss!

PLEASE NOTE - THERE IS NO INTERVAL 

Returning to our big screen after being revealed as the Odyssey’s 11th Anniversary surprise film – Richard Linklater and Ethan Hawke reteam for a sparkling, tragicomic biopic of one of America’s greatest songwriters.

In 1943, Lorenz Hart slips out from the premiere of Oklahoma!: it is launching his ex-creative-partner Richard Rodgers (Andrew Scott) to musical greatness, just as drink and depression are tanking his own career. Holed up in a nearby restaurant, he faces friends, rivals, and potential lovers with all the wit he can summon – all while desperate for deeper, more elusive connection. Also reuniting with Me and Orson Welles writer Robert Kaplow, Linklater brings gossipy buzz to the world of Golden Age Broadway and poignant depth to Hart’s life. Brimming with ideas and passion for all sexes, but clearly staring into an abyss, he provides Hawke with a star turn, showing in him a new range of both humour and fragility.

Ralph Fiennes brings depth and pathos to a new Alan Bennett tale, of a WWI-era community brought to life through song.

In 1915, a village in rural Yorkshire stages Elgar’s Dream of Gerontius for its embattled townspeople, hiring the Germany-trained outsider Dr. Guthrie to lead the choir. He is faced with divided, suspicious, and often-bereft locals while continuing to feel wounds of his own – but with the music, they can develop something that transcends it all. With his trusted director Nicholas Hytner (The Madness of King George, The Lady in the Van), Bennett tells a comfortable but unsentimental story, where both war’s damage and the power of art to lift people above it fully convince. Once again, Fiennes gives subtle power to the lead role, with outstanding backing from Roger Allam, Mark Addy, et al.

A new biopic appears following caretaker and Tourette’s awareness activist John Davidson, and his astonishing fight to make himself and his disorder seen.

In 1980s Galashiels, a teenage John is starting secondary school when he begins “acting out”, in ways he can’t control and his family cannot cope with. As it alienates them and repeatedly devastates his life, he begins to find stronger connections and an understanding of a then-obscure condition – and with it, the chance to improve his and others’ lives. Made famous by the documentary John’s Not Mad, Davidson’s life is retold with modesty, sensitivity, and humour by writer-director Kirk Jones (Waking Ned).

A down-to-earth focus, first-rate performances (from a cast including Maxine Peake and Peter Mullan) and deep empathy give extraordinary weight to his journey, and astonishment at what he has accomplished.

A serial robber with a heart of gold!

One might expect a heist film about an army veteran robbing 45 McDonald’s restaurants via their roofs, before escaping from prison and hiding out in a Toys “R” Us for six months to be the brainchild of an eccentric screenwriter with a wild imagination. Instead, Roofman’s unbelievable narrative is entirely authentic, brought to life by a brilliant performance from the ever-charismatic Channing Tatum.

It’s a different kind of film from dynamic director Derek Cianfrance, whose Best Picture-nominated previous film Sound Of Metal for its realistic portrayal of a drummer suddenly losing his hearing. All his films are emotionally resonant, and Roofman is no different, enriched by multilayered characters and strong performances across the board.

Olivier Award-winner Jack Lowden (Slow Horses, Dunkirk) is joined by Emmy and BAFTA-winner Martin Freeman (The Hobbit, The Responder) in the critically acclaimed and subversively funny new play by David Ireland.

After years in the 12-step programme of Alcoholics Anonymous, James becomes a sponsor to newcomer Luka. The pair bond over black coffee, trade stories and build a fragile friendship out of

their shared experiences. But as Luka approaches step five – the moment of confession – dangerous truths emerge, threatening the trust on which both of their recoveries depend.

Finn den Hertog directs the provocative and entertaining production filmed live from @sohoplace on London’s West End.

Claire Foy stars alongside Brendan Gleeson in Philippa Lowthorpe’s beautifully realised and emotionally charged adaptation of Helen MacDonald’s award-winning memoir.

When Cambridge academic Helen’s father dies, the grief sends her spiralling into an abyss. In an effort to process her loss, she retreats from the human world to train a fearsome Northern goshawk. Foy gives an exceptional, career-best performance as Helen, while Charlotte Bruus Christensen’s cinematography and Sarah Finlay’s production design help Lowthorpe access the gravity and emotion of this story.

We are very pleased to bring you a special advanced preview screening on Sun 11 Jan ahead of its UK release.

Fackham Hall arrives with a burst of unruly energy, delivering a comedy that gleams with cheeky charm and a wonderfully tangled sense of occasion.

Set in a grand country estate where elegance and chaos live in constant proximity, the film follows the wide-eyed new footman, Stanley Nettle, as he’s swept into a storm of secrets, schemes, and wildly unhelpful aristocrats.

The Fackham family is preparing for their annual gala, a night meant to radiate sophistication, though every hour draws them further from it. With playful wit, vibrant performances, and a parade of delightfully escalating complications, Fackham Hall is a lively salute to classic British farce with a contemporary wink.

If you’re craving laughter stitched with a touch of elegance, this is your ticket.

Fresh off its debut at Cannes where it won the Un Certain Regard award for Best Screenplay, Pillion is ready to take you for a ride.

Harry Lighton’s award-winning directorial debut is a darkly funny and deeply earnest examination of BDSM subculture. Harry Melling, best known for playing Harry Potter’s cruel cousin Dudley, brilliantly plays a Colin timid gay man who unexpectedly finds himself falling into the grip of Ray (Alexander Skarsgård), a biker with an unconventional approach to relationships. The film expertly balances a sincere exploration of sub-dom romance without taking itself too seriously, anchored by two excellent and deeply human performances.

Exiled from his brutal clan, a young Predator joins forces with an unexpected ally to take on the deadliest creature in the galaxy.

In 2020, 10 Cloverfield Lane director Dan Trachtenberg was unofficially appointed the Kevin Feige-style puppeteer of the Predator franchise. His first two efforts to reinvent the saga, Prey and Killer of Killers were both met with critical praise, demonstrating that Predator doesn’t need Arnold or ‘Get to the choppa!’ to reach exhilarating heights.

Badlands is perhaps Trachtenberg’s most accomplished entry in the series yet. While it’s the first Predator with a 12A rating, it doesn’t shy away from the brutal, high-octane action the franchise is known for. Dek, the young Predator seeking to earn his cloak in Badlands, is soon accompanied by a less-cute equivalent to Baby Yoda. Yet, the film does manage to carve out its own identity, largely thanks to a scene-stealing performance from Elle Fanning.

Sydney Sweeney and Amanda Seyfried bring a smash-hit thriller novel to life, about a young domestic servant whose employers hold a horrible secret.

Stymied by her criminal record and reduced to living out of her car, Millie (Sweeney) jumps at the chance to work for a wealthy young family on Long Island. Living on site at their big, isolated home, she quickly bonds with her employers and the gardener despite odd behaviour from the mother, Nina (Seyfried) – but as she discovers more about the household’s difficult past, she becomes tied to it in ways that could be fatal. Working from an eBook that became a viral phenomenon, director Paul Feig (Bridesmaids, A Simple Favour) preserves its simple, irresistible narrative drive on film, while Sweeney and Seyfried give it human substance as the sharp, troubled protagonist and smooth, even-more-troubled trophy wife.

Like the warmth of a familiar melody, there’s a quiet electricity humming beneath its surface, guiding every beat of this tender tale.

Based on a true story, the film follows Lightning & Thunder, two tribute performers whose devotion to the songs of Neil Diamond becomes both their anchor and their compass. As they navigate late-blooming romance, unexpected reinvention, and the awkward grace of second chances, the music grows into a shared language that steadies them when words fall short.

What unfolds is a gently glowing celebration of connection, artistry, and the brave delight of stepping into the spotlight long after life has tried to dim it. With humour, heart, and a whisper of stage-lights-at-dusk magic, the film reminds us that it’s never too late to chase the tune your heart insists on playing.

He lives in a pineapple under the sea. Absorbent and yellow and porous is he …and now he’s off chasing ghosts on the wide-open sea!

SpongeBob and the crew from Bikini Bottom embark on their most epic, brand-new adventure yet in The SpongeBob Movie: Search for SquarePants. Eager to show Mr. Krabs he’s got what it takes, SpongeBob tries to prove he’s a true tough guy by trailing the legendary Flying Dutchman - an enigmatic, ghostly pirate. His quest launches him into a hilarious, high-seas journey that plunges him into the darkest corners of the ocean - places no Sponge has ever dared to explore.

Scarlett Johansson’s directorial debut stars the inimitable June Squibb as an elderly New Yorker who strikes up a friendship with a 19-year-old student.

Through a misunderstanding, Eleanor wanders into a support group for Holocaust survivors, where she recounts the story of her recently-deceased friend Bessie’s survival story as if it were her own. Soon, her lie begins to unravel with challenging consequences.

Johansson first expressed a desire to direct whilst observing Robert Redford on set of The Horse Whisperer, when she was 12. Impressed by Eleanor the Great’s script, penned by Tory Kamen in her own feature film debut, Johansson made the film as a passion project. The result is  a charming, surprisingly funny and deeply moving character study, examining aging, grief and Jewish identity.

Idealistic and ambitious, 34-year-old Ella McCay (Emma Mackey – don’t mix them up!) suddenly finds herself thrust into the seat of state governor — a promotion made possible when her mentor accepts a federal cabinet position.

As she steps into her new role, Ella must juggle the demands of political office with the often chaotic realities of family life, navigating fraught relationships with her father, brother and aunt. With sharp humour and heartfelt moments, the film explores what it takes to serve both the public and the people you love — and whether one woman can hold it all together.

The film unites rising talents like Mackey, Ayo Edebiri and Jack Lowden with acclaimed veterans including Jamie Lee Curtis, Woody Harrelson, Rebecca Hall and Albert Brooks, creating a cast that blends fresh comedic energy with seasoned dramatic weight. Together, they bring star appeal, emotional depth and strong chemistry that elevate the film’s mix of political satire and family drama.

Daniel Craig’s exuberant sleuth investigates the suspicious death of a dastardly priest at a church in upstate New York.

Benoit Blanc is back and ready to unravel a brand new murder mystery, accompanied as always by a star-studded series of suspects. Josh O’Connor, Mila Kunis, Glenn Close and more accompany Daniel Craig in Rian Johnson’s third (and hopefully not final) Knives Out mystery. With a brand new setting and cast of characters, you don’t need to have seen the previous two entries to enjoy Wake Up Dead Man (though you should - they’re brilliant!).

Perhaps the darkest of the trilogy, this time around Blanc is accompanied by an earnest priest (O’Connor), and must examine his spiritual side to solve the savage crime. Expect lashings of Johnson’s signature tongue-in-cheek humour, a joyously southern-drawled performance from Craig, alongside a genuinely perplexing puzzle to solve.

From the visionary director of The Godfather Trilogy, this definitive Vietnam War epic features a star-studded cast and many of the most iconic lines, shots and scenes in cinema history.

George Lucas was originally attached to direct this adaptation of Joseph Conrad’s Heart of Darkness. This film transplants Conrad’s setting of 1890s Belgian-ruled Congo to the Vietnam War, with Marlon Brando starring as the rogue Colonel Kurtz, hunted by Martin Sheen’s jaded veteran assassin.

The film’s planned five-month shoot in the Philippines ultimately took place over a year, with severe weather and combatting personalities on set creating one of the most chaotic film productions of all time. The Philippines had no professional film laboratories at the time, so the raw negatives had to be shipped to the US to be processed. Thus, the entire film was shot blind, and not a single frame was seen until editing commenced. What emerged is one of the most staggering achievements in cinema history, winning the Palme d’Or at Cannes and Oscars for Best Cinematography and Best Sound.

Olivier Award-winner Hiran Abeysekera (Life of Pi) is Hamlet in this fearless, contemporary take on Shakespeare’s famous tragedy.

Trapped between duty and doubt, surrounded by power and privilege, young Prince Hamlet dares to ask the ultimate question – you know the one.

National Theatre Deputy Artistic Director, Robert Hastie (Standing at the Sky’s Edge, Operation Mincemeat) directs this sharp, stylish and darkly funny reimagining.

Renate Reinsve and Stellan Skarsgård star in this Cannes Grand Prix winner, which reunites Joachim Trier with Reinsve, his lead from The Worst Person in the World.

Two adult sisters navigate their emotional wounds and futures when their absentee father returns following the death of their mother. Trier tackles the journey of his characters with the gentle humour and a lived-in reality we’ve come to expect from his cinema.

Featuring sumptuous technical credits and sharp scripting, Trier once again excels in conveying the profound with the lightest of touch.

Jafar Panahi’s deserving Palme d’Or winner is a taut thriller and timely morality tale.

A minor traffic accident reunites two men with a fraught past, setting one on a path of revenge before doubts creep in. Panahi (The White Balloon, 3 Faces, Offside) begins with a gently humorous road trip, closely observing every action, while steadily revealing a critique of a regime’s lasting impact and the risks faced by those who resist it.

Despite years of detentions, house arrests, travel bans, and a ban on filmmaking, Panahi’s determination has never faltered; he has continued shooting in secret when necessary, asserting his freedom through creation. With It Was Just An Accident, in which citizens quietly confront State officials, he returns to fiction without abandoning the themes that define his work, remaining a sharp observer of his homeland.

Timothée Chalamet is the one to beat as he goes to hell and back in pursuit of greatness in this gripping, adrenaline-riddled solo debut from writer/director Josh Safdie.

Playing ambitious table tennis prodigy Marty Mauser, he barrels through a world of eccentric rivals, high‑stakes matches and personal turmoil, grounded only by childhood friend Rachel (Odessa A'zion). The supporting cast, including Gwyneth Paltrow, Kevin O'Leary and Tyler, The Creator, adds depth and energy, making every encounter feel vivid and alive.

Already generating significant awards-season buzz for Best Actor and Best Picture, Marty Supreme is a thrilling, emotionally charged ride that fuses sport, determination and humanity with unrelenting momentum.

Academy Award-winning director Chloé Zhao’s adaptation of Maggie O’Farrell’s bestselling novel features mesmerising performances by Jessie Buckley and Paul

Mescal.

Their romantic affair begins in the woods, and their journey is characterised by the connection they have to the forest. Even when William strays off to the city to pursue his dreams, they always have a reason to come back to that same place.

Beyond nature, their children tether William and Agnes together despite their diverging paths. Bringing warmth, innocence and touching family-dynamics to the Shakespeare household are the young actors Jacobi Jupe as the titular Hamnet, Olivia Lynes as his twin sister Judith, and Bodhi Rae Breathnach as their older sister Susanna.

All this works cohesively with Zhao’s direction, creating a lethal tragedy that can almost rival Shakespeare’s work.

When Quentin Tarantino’s martial arts/exploitation saga Kill Bill was written and shot, it was intended to be one film.

But Miramax was unwilling to gamble on a four-hour epic, and didn’t want to force Tarantino to cut the film down. Instead, Kill Bill: Volumes 1 & 2 were released in 2003 and 2004 to great financial and critical success, spearheading Tarantino to further dazzling heights with follow-ups Inglourious Basterds and Django Unchained. Yet, Tarantino was never satisfied with the split releasing of his blood-soaked masterpiece, and as early as 2006, had reintegrated them into one single narrative. Having only seen them separately, Roger Ebert wrote, "Tarantino has made a masterful saga that celebrates the martial arts genre while kidding it, loving it, and transcending it. ... This is all one film, and now that we see it whole, it's greater than its two parts.”

Return to Pandora and reunite with Jake and Neytiri’s family as their home approaches civil war.

A year after settling in with the Metkayina clan, Jake and Neytiri find themselves in conflict with the Mangkwan clan, whose fiery leader has allied with the malicious Colonel Quaritch.

The third film in the multi-billion Avatar franchise further ups the ante, with a 3.5 hour runtime and a $400 million budget. Shot simultaneously with its predecessor from 2017 to 2020, the film has undoubtedly one of the lengthiest production and post-production periods in cinema history. The results are astounding: a visually resplendent feast of riveting action and high emotional stakes that makes its epic length fly faster than a Mountain Banshee. James Cameron’s boundary-pushing films are a testament to the power of the cinematic experience - you’ll definitely want to see this on our big screen.

Please note we will be screening Avatar: Fire & Ash in the standard 2D format.

Steve Coogan and rising star Éanna Hardwicke star in this fleet-footed recreation of the 2002 pre-World Cup showdown between Republic of Ireland coach Mick McCarthy and volatile captain Roy Keane.

Lacklustre preparations for the Republic of Ireland’s 2002 World Cup campaign, plus the presence of stolid English-born coach McCarthy, send captain Keane ballistic, leading to what might be football’s most infamous clash and subsequent media frenzy. Another uncanny Coogan real-life portrayal, and Hardwicke nailing Keane’s self-righteous fury, anchor this fast-paced, funny and perfectly balanced head-to-head, which dares you to pick a side.

On a sun-seared highway, Spielberg’s Duel ignites with a simple spark: an ordinary man overtaken by an extraordinary threat.

David Mann expects a dull drive, yet a hulking tanker decides he’s today’s chase. What follows is a masterclass in escalating tension, each mile sharpening the film’s grip. The truck becomes a rolling omen, rumbling with personality despite having no face, no motive.

This is cinema stripped to its leanest muscles. No gimmicks. No padding. Just pure, propulsive storytelling. Spielberg turns asphalt into a pressure cooker, crafting sequences that make modern thrillers feel overstuffed by comparison.

If you crave a film that tightens its hold with every turn of the wheel, Duel delivers a ride you won’t shake off. Its relentless pace leaves audiences breathless long after the credits fade.

Having debuted at the Venice Film Festival where it won 8 of the 9 prizes it was nominated for, The Voice of Hind Rajab is a deeply moving real-life story of humanitarian action in brutal circumstances.

In January 2024, five-year-old Hind Rajab was killed in the Gaza Strip by IDF forces who shelled her family’s vehicle. She and her cousin contacted The Palestine Red Crescent Society, with Rajab stranded in the vehicle for hours as paramedics sought to rescue her. This award-winning French-Tunisian coproduction recounts this tragedy, taking great care and precision to recreate it as accurately as possible. Prior to its premiere, several Hollywood heavyweights onboarded the film as executive producers, including Brad Pitt, Alfonso Cuarón and Jonathan Glazer.

He’s a young nihilist with a death wish. She’s a 79-year-old free spirit.

Harold is obsessed with death, orchestrating a series of fake suicides to the constant irritation of his high-strung mother, who is desperate to set him up with a suitable girl and get him out of the house. Whilst attending a funeral, he finds himself drawn to the highly eccentric Maude, with whom an unexpected romance blooms. Harold and Maude is an unforgettable set to an iconic Cat Stevens soundtrack.

With Valentine’s Day on the horizon, discover the many sides of love as Harold and Maude remind one another of the value of living despite all the darkness in the world. Don’t forget to join us for the post-film discussion, where you can meet fellow cinephiles and enjoy a free tea or coffee!

Returning to cinemas for the first time in over a decade, Helen Mirren plays Queen Elizabeth II in the Olivier and Tony Award® -winning hit production, directed by Stephen Daldry.

For 60 years, Queen Elizabeth II met with each of her 12 prime ministers in a private weekly meeting. This meeting is known as The Audience. From Winston Churchill to Margaret Thatcher and David Cameron, the Queen advised her prime ministers on matters both public and personal. Through these private audiences, we see glimpses of the woman behind the crown and witness the moments that shaped a monarch.

Peter Morgan’s Netflix phenomenon The Crown was based on this hit play that was captured live from London’s West End in 2013 and went on to become one of the most-watched NT Live productions.

Shakespeare’s OTHELLO rages to life like never before in a ‘compelling’ new production starring David Harewood OBE (Homeland, Best of Enemies), Toby Jones OBE (Mr Bates vs the Post Office, Detectorists), Caitlin FitzGerald (Succession, Masters of Sex), Vinette Robinson (Boiling Point) and Luke Treadaway (A Street Cat Named Bob).

Directed by Tony Award-winner Tom Morris OBE (War Horse, Dr Semmelweis, The Grinning Man) with music by PJ Harvey, this epic story of manipulation, jealousy and toxic masculinity explores the darker side of power, rage and desire. Filmed live at the Theatre Royal Haymarket in London especially for the big screen, this is ‘an electrifying star-studded Othello.’

Celebrating the 250th anniversary of their births, this unmissable new documentary explores Turner and Constable’s intertwined lives and legacies alongside the groundbreaking Tate exhibition.

Two of Britain’s greatest painters, J.M.W. Turner and John Constable were also the greatest of rivals. Born within a year of each other, both used landscape painting to reflect the changing world around them. Now, these two greats are reuniting. Tate Britain is bringing these two greats together for a groundbreaking exhibition, in London from November 2025 to April 2026, and Exhibition on Screen once again has exclusive and privileged access to bring their extraordinary art and remarkable stories to the big screen in March so that you can enjoy both film and exhibition together. Discover unexpected sides to both artists with intimate views of sketchbooks and personal items and insights from leading experts.

Turner’s blazing sunsets and sublime scenes from his travels and Constable’s idealised depictions of beloved places from home whipped the public of the time into a frenzy of enthusiasm. Constable represents the very best of the old school of realism and pastoral nostalgia; Turner, an exciting new way of depicting emotion and dreamlike impressions. Critics compared their starkly different styles to a clash of ‘fire and water’. Don’t miss this opportunity to see these greats side-by-side, as they so often were in life, on the big screen for the first time.